inspiration
Jules Verne, Saint-Exupéry, Cousteau, Magellan, gothic cathedrals of medieval Europe, wrinkles of the ocean, fairytales & legends, tiger paws, sense of flight, a fear to overturn and spill a tenderness and beauty of the Blue Globe.
inspiration
Jules Verne, Saint-Exupéry, Cousteau, Magellan, gothic cathedrals of medieval Europe, wrinkles of the ocean, fairytales & legends, tiger paws, sense of flight, a fear to overturn and spill a tenderness and beauty of the Blue Globe.
Piracy treasures/ Treasure n1
Roofs & roads
A collection of travel sketches, made in different technique during last 10 years.
I was always inspired by architecture, especially ruined and abandoned houses, churches.. Places, that keep a spirit and a culture of the people, which lived there. It`s very interesting to discover inner emotional aspect of stones and ceramic tiles throw abstract lines and colours.
Roofs & roads
A collection of travel sketches, made in different technique during last 10 years.
I was always inspired by architecture, especially ruined and abandoned houses, churches.. Places, that keep a spirit and a culture of the people, which lived there. It`s very interesting to discover inner emotional aspect of stones and ceramic tiles throw abstract lines and colours.
inspiration
Jules Verne, Saint-Exupéry, Cousteau, Magellan, gothic cathedrals of medieval Europe, wrinkles of the ocean, fairytales & legends, tiger paws, sense of flight, a fear to overturn and spill a tenderness and beauty of the Blue Globe.
contemporary artist
* The main character – Plato, 2-years-old Mexican axolotl. The god of Aztecs and my official muse.
Monstro. It could happen to everyone
Serial film about a routine life of ancient beast in the modern megapolis. 3 seasons 2017/2018.
Aim of the project – to pay attention to a problem of endangered species, losses and adaptation.
Wild Mexican axolotls today live only in one lake on the Earth. These unique creatures, symbols of culture and mythology, fall a victim of urbanization.
If you want to stay alive, you have to adapt – there is no other choice. It concerns both: animals and people.
Monstro is my attempt to show, how similar we are in facing everyday routine problems of surviving and how quickly it becomes a part of history.
